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We meet our central guy Vijay (Ajay Devgn), a self-made man, who lives in Goa with his family. His world centers around his wife and two daughters, and they're a pretty regular family, spending days tending to the garden or sharing their day at the dinner table.


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We know of films about the bond between humans, and between humans and pets. But this is the only film I've seen that explores the deep friendship between a human and a plant. This is India's first carbon neutral film, which is applaudable.


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It’s difficult to say anything else other than that 'Rudrasimhasanam' is a total waste of time. Watch this one at your own risk please.


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AL Vijay is always known for making soft, feel good movies with colorful frames and heart touching music. The director's latest movie Idhu Enna Mayam is no exception but here the plot is very familiar and hence it ends up as another candy floss romantic drama.


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This film could be funny for the young kids. If you are well past that age, the film could be fine in parts


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The usually terrific Fahadh Faasil looks lost mostly and he tries a bit too hard with his mannerisms, accent and an ill fitting wig.


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If you've ever wondered what might have happened to the Bibilical Job if he had a strong left hook, Southpaw may be the film for you.


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Amy


Asif Kapadia's Amy Winehouse documentary Amy is a slow, tragic zoom out. It begins with the intimacy of home movies and ends in far-away paparazzi footage. Our VIP access has been revoked.


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స్టోరీ మెయిన్ ఐడియా : నలుగురు ఫ్రెండ్స్ కి అనుకోకుండా ఒక కోటి రూపాయలు దొరికితే వాళ్ళు ఫ్రెండ్షిప్ మరిచిపోయి ప్రవర్తిస్తే ఎలా వుంటుంది... ? అనే పాయింట్ స్టోరీ మెయిన్ ఐడియా


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స్టోరీ : మంత్ర ఒక అనాధ. హాస్టల్ లో చదువుకుంటూ వుండే అమ్మాయి. హైదరాబాద్ లో జాబు రావడం తో వైజాగ్ నుండి హైదరాబాద్ వచ్చి , హాస్టల్ జీవితం వద్దు అనుకుని పేయింగ్ గెస్ట్ గా చేరాలని నిర్ణయించుకుంటుంది. ఆవిధంగా తనికెళ్ళ భరణి ఇంట్లో పేయింగ్ గెస్ట్ గా చేరుతుంది. తనికెళ్ళ భరణి ఫ్యామిలీ కి బాగా క్లోజ్ అవుతుంది మంత్ర.


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While the former part holds true for 'Bullet Basya', Sharan has failed to prove himself with the latter part.


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Director Raju Halagur’s effort to narrate a half-an-hour story for three hours is actually a waste of time.


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