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The ruthless, stuck-in-the past hinterlands seem to be the flavour of the season. In this Haryana village, honour killings are ordered by the khap panchayat (taking us back to the recently released NH10), and people throw grand celebrations for getting a visa to Kenya.

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The film, set in a Northern village, trails the life of Arjun (Rahul Bagga) who has a soft spot for the village pradhan's (village chief) wife. When the Pradhan (Annu Kapoor) finds out, he has his men beat him up mercilessly.

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Most films suffer the curse of the second half, where a promising film plummets downwards, post-interval. Here, it's quite the opposite. A headache-inducing first half transforms into a reasonably better second.

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'If it ain't broke, don't fix it.' This phrase comes to mind as you see this much-awaited sequel to 2013's ABCD (Any Body Can Dance).

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Midway through the film, you might wonder if you're watching an '80s drama. For this is a film where the heroine clutches on to her mangalsutra and sermonizes about traditional Indian values. Where she is referred to as a 'devi' by a character, and at one point has the idol of Goddess Durga right behind her. Where the heroine is made to dress in unforgivably dowdy outfits to prove her "simple and traditional" values. Where she is made to touch the feet of her lover, 'cause he's helping her out.

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Imagine being holed up on a cruise with your immediate family, relatives, friends, ex-loves, and work associates. It is exactly this scenario that Zoya Akhtar creates in 'Dil Dhadakne Do'.

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This is one of the few films that starts on a dismal note and gradually gets more interesting. Usually, it's the other way around.

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Very rarely do sequels create an impact as the original, but in the case of Tanu Weds Manu Returns, the intensity is as forceful or more than the original. Once again packed with sharp and witty dialogues, fine performances and a feel-good factor, Tanu Weds Manu Returns excels as a scaled-up family entertainer.

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This is one film you wanted to wholeheartedly recommend. The film is technically marvelous with the painstakingly detailed production design, sizzling chemistry between the lead pair, and impressive performances. 'Bombay Velvet' starts off well, even splendidly, only to get progressively more convoluted.

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This is yet another B-grade Bollywood film made with the intention of exploiting Sunny Leone's image. It's crass and unfunny.

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