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We're all too familiar with the unfortunate Aarushi murder case that shocked the nation in 2008. Reminds one of the adage about truth being stranger than fiction. Rahasya is, putting it succinctly, a fictional take on the truth.

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A deserted guest house, a piano (for no obvious reason), a mysterious woman (who can talk in a man's voice at will), a writer looking for inspiration, and a laughing ghost among other paranormal elements. In short, this is a mash-up of countless Vikram Bhatt films (he's the producer-writer here) in the past.

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A film that exposes/challenges the accepted belief that the Wright Brothers created the world's first functional airplane has the potential for an exhilarating, intelligent and deeply emotional film, never mind the lack of any proof. But that's not what you get, sadly.

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On a superficial level, the film is a reasonably engaging thriller, but with its share of unintentionally comical moments and gaffes. On the other hand, its fundamentals and politics make you squirm.

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Debut director Abhishek Dogra gives us a film that's an above-average entertainer, with an interesting story and a solid ensemble cast.

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The dysfunctional family can be a source of some superb dark comedy. That is what the film attempts, but achieves

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The film begins with a thunder-and-lightning type scene complete with howling wolves and creaking doors.

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Perhaps the film made sense inside director Shankar’s head.

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The charm of a small-town setting, brutal politicians, instant love, heroic hero, distressed heroine, item songs, regressive storyline, dumb developments, and an all’s well ending. Nowwww, where have we seen this before.

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The film is ugly from the word go, and only gets progressively ominous. No, you won't be chomping through your popcorn through this one.

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