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The great American family road trip seems, in the 32 years since we first met the Griswolds, as antiquated a concept as ever. Middle class families fly now — device enabled, efficiency obsessed and always aware of the outside world.

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There's some interesting talk in the cleverly satisfying script of Mission: Impossible - Rogue Nation about the element of luck. As in: How much is luck a factor in the success of Ethan Hunt and his IMF cohorts? After all, in the last movie they merely saved us from a nuclear holocaust. Was it talent, work, or dumb luck?

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If you've ever wondered what might have happened to the Bibilical Job if he had a strong left hook, Southpaw may be the film for you.

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Amy


Asif Kapadia's Amy Winehouse documentary Amy is a slow, tragic zoom out. It begins with the intimacy of home movies and ends in far-away paparazzi footage. Our VIP access has been revoked.

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If ever there was a sworn devotee — a chanting, face-painted worshipper — of the Big, it is Marvel.

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Thirty-one years and counting, and the Terminators keep rolling off the assembly line like new iPhones, upgraded with shape-shifting abilities, rebooted Sarah Conner assassination levels and, one presumes, better selfie cameras.

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Inside Out, the latest Pixar punch to the heart, navigates the labyrinth of a young girl's mind in an antic, candy-colored romp through childhood memory to arrive, finally, gloriously, at epiphany.

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Spy


Ridiculous questions about the funniness and bankability of women have clouded exactly what's going on here: Nobody is a better comedic actor right now than Melissa McCarthy.

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Along the scaly spine of the Tyrannosaurus Rex runs the evolution of Hollywood blockbustering.

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Would you stand by your child if she was slowly dying of a gruesome and highly contagious illness? That's the central question that Arnold Schwarzenegger has to face in Maggie, a terminal illness drama where the malady at hand involves morphing into a member of the flesh-eating undead.

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