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Gorgeously shot, crisply edited, and handsomely mounted, KVAnand’s Anegan is a fast paced rollicking adventure ride that is gripping till the very end.

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Debut director Ramprakash Rayappa’s Tamizhukku En Ondrai Azhuthavum is based on geo-magnetic storm and its aftermath in Chennai city. Interestingly, the director has done his paper work with sheer perfection and packaged this out-of-the-box concept in a fairly engaging manner.

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Performance wise, it is Ajith?s best work in recent times. The actor is full of energy and constantly shines in the classic emotional portions and racy action sequences.

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As a film, 'Isai' has many drawbacks especially the prolonged romance or sleaze (for most of the audience) portions in the first half really tests our patience

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There are shortcomings but here is one experiment done with some honesty, which is to be seen there on the screen.

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The problem here is that Cable Sankar has done his paper work with perfection but he missed a lot of things in screen transition.

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Shankar is known for the innovative ways in which he tortures characters in his vigilante films. By the end of 'I', however, the audience is likely to feel more tortured than any of the unhappy characters onscreen.

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There isn?t one quiet moment in Sundar C?s Aambala, a masala comic entertainer which is purely targeted at audiences seeking mindless actioners laced with family sentiments, comedy and plenty of glamour.

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Debutant director Sam Anton's Darling is an entertaining comic-horror flick with some good writing and performances.

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