|Gautham Vasudev Menon|
|Silambarasan, Trisha, Kitty, Babu Antony, Ganesh|
|A R Rahman|
10 years after his candy floss Minnale, Menon’s VTV is a far more mature Valentine. The film is backed by awe inspiring performance and precisely one thing going for it and that’s the chemistry between its lead actors Silambarasan and Trisha, Manoj Paramahamsa’s eye-catching frames, great screenplay and a stunning climax that is riveting.
It is return of romance and will strike a chord with anyone who’s loved and felt the unbearable anguish of loss, and knows the feeling that binds people in love together. Menon’s creativity is completely home grown though it looks autobiographical.
Karthik (Simbu), a mechanical engineer, dreams of becoming a film director, and meets Jessy (Trisha), a Malayalee Christian girl, who is an IT professional. And it is love at first sight. She lives on the top floor with her strict father (Babu Antony), mother and an aggressive brother, while Karthik and his family have rented out the lower portion of the house.
Images: Silambarasan turns Mr Nice Guy | Vinnnaithandi Varuvaaya is an intense love story: Gautham Menon The first half is all about how he passionately wooes her, follows her to Kerala, with his good friend Ganesh (Ganesh) a cameraman and his mentor who was instrumental in him becoming director KS Ravikumar’s AD. Karthik’s passionate wooing melts Jessy who finally succumbs to his ardent love. But her family and religion stands in the way of true love.
The romantic track is engaging because it's innocent, simple and the director nails it right. Silence convey so much more than irreverent banter, and nowhere is this more evident than in the interactions between Karthik and Jessy, whose romance is conveyed through their conversations, eyes and longing expressions. The credit goes to its lead pair who invests sincerity and genuine enthusiasm while attacking their roles.
However, VTV is not devoid of minor flaws. It has too many songs which are experimental and are non-structured that act as speed breaker. The pre climax song is unwanted, still “Hosanna..” and “Aaromale…” are the pick of the lot. The film at 2 hours and 35 minutes can be trimmed by at least 10 minutes in the second half to make it as racy and interesting as the first half.
I loved myself in VTV: Simbu Count among its major plus points- the technical wizardry of the film. Manoj Paramahamsa’s camera and his colour combination especially the night silhouette shots in the backwaters have a touch of class. Art director’s Rajeevan’s choice of interiors and mixing it with the exteriors are brilliant. Antony’s editing without using any gimmicks makes the narration silken smooth.
The film belongs to its lead actors. For sure, Simbu has come a long way from his finger wagging punch line spewing days. It's a joy to watch him in the climax scene when he speaks about his love by taking ordinary lines and delivering them so convincingly, and never miss a beat. His sheer agility in the romantic interludes, his composure, his dead pan humour and his tears in the climax are tangible and real, giving it a heart warming immediacy.
As a woman torn by the dualities of her existence, Trisha looks good and delivers her career best performance in a knock-out role. Her costumes, body language and gait changes as the story shifts from Chennai to New York via the backwaters of Kerala. There is a super cameo by Ganesh (one of the producers of VTV), which is earthy and outrageous as the cameraman friend of the hero and raises huge chuckles and the bar of the film.
The film is a must watch for those who cares for cinema of sense and substance. It stresses the fact that Tamil cinema has to break the mould if it aims to grab eyeballs. Gautham Menon has crafted a movie that will stay in our hearts for a long, long time.
Verdict- Very Good