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It has been long in coming. And when the author of Midnight’s
Children and Satanic Verses pens a book, it will no doubt attract
hype. The book is on extremism; of two Kashmiri villages whose inhabitants
get caught up in communal violence. Critics agree that Salman Rushdie
has brilliantly unravelled the construction of terrorists: some
of them fight for ideas; others fight to fulfil vows or, if they
are men, to reclaim their wives. Despite a few drawbacks—his female
characters are not as plausible as the male ones and he often resorts
to pop culture when he tries to describe places—the book is a powerful
read. It is at once a “political thriller, folk tale, slapstick
comedy, wartime adventure, and work of science fiction, pop culture,
and magical realism”.
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