Dear Maya review: Touches a raw nerve
The plot, except for a few inconsistencies, unfolds like a novel written by an over-enthusiastic teenybopper.
Critic's Rating: 3/5
Friday 02 June 2017
Dear Maya review: Touches a raw nerve
Manisha Koirala, Madiha Imam, Shreya Chaudhary, Iravati Harshe
While the promos and the title suggest that the film Dear Maya is about a prank letter to an old melancholic spinster and how it changes her life, the film in reality is a BFF (Best Friends Forever) bonding film.
Anna and Ira are two friends, bubbling with energy. They live in Shimla and study in Loreto Convent. One day, while returning from school, they notice Mayadevi, a recluse who lives with her two dogs and a help in a large well-protected villa, peeping through her window. The duo decide to play a joke on her.
The repercussion of the prank propels the narrative forward.
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The plot, except for a few inconsistencies, unfolds like a novel written by an over-enthusiastic teenybopper. The script is dramatically pretentious at times and goes overboard with its excesses. This is evident in the mise-en-scene, especially in the telephonic scene between the two friends. The constant banging of the door in the background which is jarring and unwarranted.
While the birds in the cages and pet dogs bound by chains add to the metaphors depicting Mayadevi's life, her crafting of the hand-made dolls aimlessly, offers no explanation to Mayadevi's personality or motive.
But what is remarkable about the film is the transition in the tone of the narration. The narrative shifts from bright chirpy scenes to slow melancholic scenes with dark brooding frames and back to bright sunshine acts, with natural ease. These scenes are often peppered with life's lessons.
The cast slips into the skin of their characters with natural ease. They evoke the right emotions passionately which make you simultaneously like them or get irritated with them.
Manisha Koirala essays the role of the eponymous character to perfection. Her gait, speech and underplayed histrionics induce you to accept her as the loner in search of true love. The silences in her performance and vulnerability in her eyes are used by her to effectively convey her anguish and loneliness.
Madiha Imam as Anna and Shreya Chaudhary as Ira, are lithe and natural. They play the effervescent and enthusiastic teenagers with ease. And the transition in their personality from the beginning to six years later is distinct and relatable.
The characters Neil and Rahul, deserve a special mention for their brilliant and convincing performances too.
Iravati Harshe as Anna's mother, in a one-dimensional role, is under-utilised but effective. The character playing Anna's dad is reduce to a caricature.
The piano is effectively used for the background score as its notes evoke the right mood. Anupam Roy's music and the song with the lyrics, "kehne ko dil nahina" seamlessly mesh into the narrative.
The visuals are beautifully and dexterously captured by Cinematographer Sayak Bhattacharya's lens. These frames along with the sound, designed by Manik Batra and his team are shrewdly and skilfully layered by Aarti Bajaj's editing.
Overall, Dear Maya, despite its follies, touches a raw nerve and makes you embrace the film wholeheartedly.
Dear Maya review: 2 1/2 stars
Sufiyum Sujatayum has a few good moments but gives the feeling that with so much potential, this one could have been a better watch
Bajpayee essays a near-silent role, for Bhonsle is a man of few words. The subject of Bhonsle has been attempted in Hindi cinema, but no one has dared directly mention ethnic identities