While the friendship angle is quite good, their conflicts with the politicians and big shots in the village look forced
The best part of director Nagarajan’s 'Kaalakkoothu' is the initial fifteen minutes about friendship between schoolboys in Madurai.
Director almost succeeds in narrating a true-to-life story about extramarital affairs in a decent manner
The first half is ok, it is second half which becomes like a never ending serial.
A neatly made family drama from Kiruthiga Udhayanidhi with an experimental screenplay
A decent crime thriller with too many characters, twists and turns and an open ending for a sequel
Gautham Karthik looks smart and excels in the dance and comic portions. Despite his stone-faced expressions, Shah Ra scores with dialogue modulation. As said earlier, the girls are only used for glamour quotient.
This is a movie that works on account of the clap-trap dialogues, and the authentic texture of the world that it’s set in.
It’s Suriya's committed performance, that keeps you invested in the narrative and the fascinating characters etched out brilliantly by Vignesh.
The film is meant only for kids. It works because you care for them and their performances are authentic
To give credit where it’s due, director Gautham Ramachandran delivers on both style and content.
Sasikumar fits the bill perfectly for the village angry man character but he has to change his usual mannerism and body language
The dialogues are over the top glorifying the mass image of Sasikumar. However, the sister sentiment and realistic rural backdrop are the pluses
Yet another half-baked experiment, as the director is not sure whether to approach his script in a full-fledged commercial route or artistic way
'Mersal' belongs to Vijay and he totally steals the show with his comic timing, mass dialogue delivery, powerful screen presence and racy moves.