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A solid debut for Rajkumar Periyasamy

Rajkumar Periyasamy's intelligent writing is the biggest strength, especially the first half moves like a tracer bullet

Watch it because gems like these are hard to find

In the end, the movie is a beautiful, moving experience.Two big thumbs up for Suresh Sangaiah’s 'Oru Kidayin Karunai Manu'.

An average watch only because of the predictable second half and climax

It has its own flaws, the film's concept is interesting but towards the end, the screenplay fizzles out

Gives hope that a perfect world like this is actually out there somewhere.

The biggest strength of Radha Mohan is his ability to convey a highly emotional content with sublime humour

Filled with a plethora of messages in an over preachy tone

Samuthirakani's intentions to make Thondan is very clear, as he uses emergency service as a backdrop to convey several messages

Family sentiments laced in horror genre

Though the story is predictable from the word go, few well-written comedy sequences provide enough entertainment.

This film gets tiring very quickly

It takes superhuman strength to stop yourself from nodding off to sleep. This film gets tiring very quickly.

A wafer-thin storyline filled with crass comic sequence which relies on a bunch of comedians for the screenplay proceedings

The much hyped funny one-liners of Soori didn’t work and it would have been great if Ezhil used Yogi Babu more as his portions comparatively worked better. The rest of the comedians including Mansoor Ali Khan, Chams and Madhumitha fail to attract us.

A film with an interesting concept that fails to turn impressive mainly due to commercial compromises and lack of fine writing

To conclude, the film had an interesting plot but the shoddy execution in second half make it an average watch.

Enga Amma Rani review- Amateurish attempt

This one is a plodding ride with the contrived screenplay, lazy writing, and outdated film making.